Claire Warden, Broadway’s First Credited Intimacy Director
Claire Warden, Broadway’s First Credited Intimacy Director

A Conversation with Claire Warden, The First Broadway Credited Intimacy Director

Howard Sherman

In response to an observation that five years ago she wouldn’t have been having a conversation about intimacy direction, Claire Warden responds, “It didn’t exist five years ago, in this form.”

But intimacy direction has rapidly emerged as a distinct discipline on the creative teams of plays and musicals, and Warden has been at the forefront of that movement. She is the first person to have been credited as the intimacy director of a Broadway show, for Frankie and Johnny in the Claire de Lune with Audra McDonald and Michael Shannon. She’s about to be the second person thusly credited, as Slave Play, first seen at New York Theatre Workshop, moves to Broadway.

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Designer Rachel Hauck
Designer Rachel Hauck

Finding Her Tribe: A Conversation with Rachel Hauck

Howard Sherman

Glance at the current resume of set designer Rachel Hauck and under “Recent Off-Broadway” you’ll find more than 50 productions. Look at “Recent Regional” and you’ll find yet another 50 shows. Under Broadway, no “recent” is required, because Hauck has but three credits, but what impressive credits they are and one ends with a Tony Award. Her first Broadway credit was for John Leguizamo’s Latin History for Morons. The other two are for productions that have been running simultaneously during much of 2019. One is Heidi Schreck’s What the Constitution Means to Me, for which Hauck created an amalgam of the VFW halls that Schreck frequented in order to compete in essay contests in her teen years. The other is the Tony Award winning Best Musical of 2019, Anaïs Mitchell’s Hadestown, for which Hauck won the Tony for Best Scenic Design of a Musical. Less than a month after her Tony, Hauck sat down with Stage Directions to talk about her career. This interview has been edited and condensed for length and clarity.

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