A Conversation with Costume Designer Jess Goldstein

Howard Sherman

Jess Goldstein’s work in costume design is perhaps most familiar from Jersey Boys, which has been playing around the world for the past 14 years. His Broadway credits include Tintypes (1980), The Most Happy Fella (1992), Love! Valour! Compassion! (1995), Take Me Out (2003), The Rivals (2004), The Merchant of Venice (2010), Newsies (2010), and On the Town (2014). His roughly 90 Off-Broadway credits include the original New York production of Buried Child, as well as multiple plays by Jon Robin Baitz, Terrence McNally, and Donald Margulies. He has also designed extensively in regional theatre and opera, and has been on the design faculty of the Yale School of Drama since 1990. He retires from Yale at the end of the current academic year.

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Designer and Educator Michael Yeargan
Designer and Educator Michael Yeargan

A Conversation with Designer & Educator Michael Yeargan

Howard Sherman

From his days as an elementary school student in Texas enraptured by opera to his Tony Award-wining scenic designs for The Light in the Piazza and South Pacific, Michael Yeargan has been creating worlds for audiences on stages across the U.S. and in Europe. Throughout that time, he has also been teaching generations of set designers as a member of the faculty, and now co-chair of the design department, at the Yale School of Drama. In a wide-ranging interview with Stage Directions' contributing editor Howard Sherman, Yeargan spoke of his start building shadow box sets while still a child to the intricacies of his celebrated designs; Stage Directions will be sharing several portions of that conversation in coming months, both in print and online. In this excerpt, [which has been edited and condensed for space] Yeargan traces the line from his opera work to his series of collaborations with Bartlett Sher in New York’s Vivian Beaumont Theater, which in addition to his Tony winning shows, includes The King and I and My Fair Lady.

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