Shadow Work

Randi Minetor

Thom Weaver's Lighting Plays a Key Role in Macbeth

Is there a “normal” way to interpret Shakespeare in twenty-first century theater? The days of recreating Elizabethan England seem to be behind us as today’s directors place their productions anywhere they like, and use the Bard’s intricate language and story lines to create a new take on centuries-old material. In recent memory, we’ve seen an all-female production of Twelfth Night set in the roaring 1920s, A Midsummer Night’s Dream on post-apocalyptic Earth, and The Taming of the Shrew as part of a traveling circus… and that’s just in theaters around upstate New York.     

So, when Chicago Shakespeare Theater (CST) approached its own Macbeth earlier this year, no one was surprised to learn that this production would not take a traditional approach. Instead, the Scottish play would become a supernatural horror thriller, complete with magical illusions created by one of the top people in the illusion business. Management turned to a directing team that had mounted a mystical interpretation of The Tempest in 2015, Helen Hayes Award-winning director Aaron Posner, and Teller—the silent half of Penn and Teller, the world-famous illusionist team. 

Read more