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 | | Colin Chauce, lighting and scenic designer for ELEKTRA at SUNY-Fredonia during focus. Chris Swinn, one of the master electricians on the show is on the ladder. | In the world of live events, it takes countless man-hours to produce the show well before the curtain rises on opening night. Teams of designers, technicians, directors, managers, producers and event staff are all required to turn out that two- to three-hour production. Because production staff can be working from different offices or locations around town and sometimes around the world, tracking and communicating with the entire production team, let alone your department, can be tricky.
Before the personal computer revolution, almost all paperwork was either hand-written or typed, duplicated on carbon copies, and distributed to the necessary persons. Most times, after a meeting or run-throughs, paperwork had to be updated: re-written or re-typed, and re-carbon copied—a time-consuming and ungreen way to do things.
Then along came the Internet. Communicating with fellow production team
members (even from across the world) suddenly became quicker and a lot
more efficient. With the click of a button, designers now e-mail their
notes to the entire production staff to team members who update
paperwork or schedule changes. Designers can now “Skype” in for a
face-to-face meeting.
And progress still continues—one of the newest trends on the Internet
involves “cloud” computing—keeping your data not on local computers,
but on servers on the Internet where anyone can access, share or modify
it. This approach could be a powerful tool for the production staff,
allowing them—regardless of physical location—to stay in touch and
share single versions of files, photos and schedules, letting anyone on
the staff reference, update or comment on the correct version of files.
One tool that gives production teams just this capability is Google’s
latest creation, Google Wave.
Wavelengths
In May of 2009, Google launched a beta version Google Wave, an online
communication and collaboration tool that operates in real-time. Think
of it as a cross between instant messaging, chatting in a forum,
e-mailing, posting to a bulletin board, and document editor all in one
location. A wave is a conversation with multiple users discussing and
collaborating on the specific topics and content. Users can reply any
time, anywhere within the wave, as well as edit content created by
another user within the wave. A wave isn’t limited just to words,
either. Users can attach web pages, videos, photos, files—almost
anything—to a wave to share with others.
For this reason, production teams will find Google Wave useful in their
work. Using multiple waves, design staff, such as the director and
stage manager, can track progress, discuss changes and go over
rehearsal notes, all in real time.
For example, say the director changed the layout of set pieces at last
night’s rehearsal. Rather than typing a detailed e-mail describing the
changes to the design team, the stage manager can take a photo and
place it with in a wave to accurately show what changes the director
made.
In Action
Additional waves can be set up so only certain production staff members
have access, such as the lighting designer and his master electrician
and crew. Lighting and Scenic Designer Colin Chauche and his crew for
SUNY-Fredonia’s department of theatre and dance production of Elektra
did just this.
At the suggestion of Colin’s design professor, Todd Proffitt, the
lighting crew established a wave to keep track of multiple versions of
paperwork and plots, design notes, nightly to-do lists and other
lighting-related notes. All screenshots/Figures are taken from their
wave for Elektra.
 | | Figure 1: The main screen of Google Wave | In Figure 1, you’ll notice that Google Wave looks very similar to Gmail
or any other e-mail program on the market. On the top left is the
navigation section of the page which contains your Google Wave inbox,
folders and filters, to narrow your view of waves. Below the navigation
is the contacts window, where you can quickly search through your
contacts and add or create waves with selected contacts. Next to the
navigation and contacts windows is your inbox. Just like an e-mail
inbox, waves are listed and show which waves have new content or have
been updated recently.
 | | Figure 2: The inbox moved to the top of the screen | When you click on a wave, that wave is brought up in an additional
window, just like opening up an e-mail to read its content. In Figure
2, I rearranged the contacts and inbox to be at the top of my page so
that the entire wave for the lighting crew of Elektra is visible. I can
still access other waves within my inbox by simply clicking back to the
inbox.
 | | Figure 3: Contacts in a wave | At the top of the Elektra lighting wave is a listing of the contacts
that have access to view, add, edit or comment within the wave (Figure
3). This specific wave was setup as a private wave so only certain
contacts were able to view it. At any time, additional contacts can be
invited to the wave to participate and discuss the wave. There is also
an option for a public wave where any Google Wave user can add or edit
that public wave.
 | | Figure 4: Files can be added to a wave so that all members can view and edit them. | At the beginning of the wave, Colin added paperwork and his plot for
the lighting crew to review and ask questions. From Figure 4, we see
that Colin added four files to the wave, two PDFs of his paperwork and
his plot, and two copies of his paperwork and plot in their original
format. When the files are attached in Google Wave, you can include a
description of each of the documents and a version number. This is
helpful for reviewing the wave for a specific version of the paperwork
or plot that’s needed.
 | | Figure 5: As tasks were completed the electricians could instantly update the punch list, so everyone knew the status. | Colin and his lighting crew also included to-do lists within the wave.
At the beginning of the hang, Colin separated some of the key items he
wanted done. So, when Chris Swinn and Scott Barton, Colin’s master
electricians, completed tasks off the list, they went through and
struck items off the list Colin originally started (Figure 5), allowing
to see when tasks were completed, right in the same wave. Can e-mail do
that? Only if you copy, paste and strike-out the list items and then
re-send the e-mail.
 | | Figure 6: The timeline feature in a wave lets people roll back to previous versions of documents, before mistakes have been introduced. | Another trick up Google Wave’s sleeve is the timeline view of the wave
(Figure 6). Similar to skipping forward scene by scene in a DVD, Google
Wave offers a timeline of the wave’s progression. Notice the “Play” bar
at the top of the wave, under the contacts pictures? You can move
forward and backwards to track how, when, and who added to the wave.
This could be useful for tracking down mistakes made during the course
of the wave, and reverting to an earlier version.
 | | Figure 7: Conversation within Wave | With all the features of Google Wave, collaboration and communicating
with team members is almost as if you were speaking to them in person.
An idea or question can be asked within the wave and everyone can
simply reply to the statement rather than creating a new comment that
wouldn’t be attached to the original statement or question (Figure 7).
Google Wave certainly has the potential to be a powerful communication
tool within the live event industry. And there are features that are
still missing that would make Google Wave more useful, such as
automatic notification when someone replies to a wave. Google Wave is
still considered a beta project and is only open to invited users, but
its expected to be formally launched to the public this September.
 | | Justin Lang | Justin Lang is lead writer and editor of iSquint.net, an entertainment
lighting and technology blog. Lang has more than 15 years of experience
in the industry working as a salesman for an international lighting
company and is also a well-respected freelance designer and
photographer in the Washington, D.C. area.
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