Guns in use for Hamilton, artist Jay Duckworth, Public Theater
Guns in use for Hamilton, artist Jay Duckworth, Public Theater

Props From Theatre, Television, and Film on Exhibit at Wheaton College

Michael Eddy

In film, television and theatre, a hero prop is any item intended to be held or used by one of the main actors. Examples of hero props might include Shylock’s money box, as used by Al Pacino in The Merchant of Venice at New York’s Public Theater; the Red Apple Tobacco tin used in Quentin Tarantino’s film Hateful Eight; or the Mendl’s chocolate box from the film The Grand Budapest Hotel.

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The Westport Country Playhouse has named its campus after donor Howard J. Aibel
The Westport Country Playhouse has named its campus after donor Howard J. Aibel

Westport Country Playhouse Names Campus in Honor of Howard J. Aibel

Michael Eddy

Westport Country Playhouse announces that in recognition of a $3 million gift from Howard J. Aibel of Weston, CT, the historic institution will name its entire campus “The Howard J. Aibel Theater Center at Westport Country Playhouse.” Westport recently staged a production of Evita as a part of its resident conservatory Broadway Method Academy. Here's a video discussing the set design of the show:

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Paige Hathaway has been named the 2018 Rising Star
Paige Hathaway has been named the 2018 Rising Star

Paige Hathaway to Receive Rising Star Award at USITT 2018

Michael Eddy

Freelance Scenic Designer Paige Hathaway will receive USITT’s 2018 Rising Star Award. The Rising Star Award is given annually to a young professional in the first four years of their career after completing their highest academic degree. The award recognizes excellence and artistic achievement in scenic, lighting, sound, projection design, and a convergence of these design disciplines.

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The large baby prop in Robert O'Hara's Mankind at Playwrights Horizons
The large baby prop in Robert O'Hara's Mankind at Playwrights Horizons

The Making of the Big Baby for Mankind at Playwrights Horizons

Michael Eddy

Where do babies come from? For Robert O'Hara's Mankind at Playwrights Horizons, they come from gold paint and lots (and lots) of foam; two 4'x8' sheets of foam, in fact. The finished prop was 14.6-ft. long and weighed in at 325 lbs! Check out this video of Props Artisan Patrice Escandon and Assistant Sculptor, Boyce Cummings creating the large baby for Mankind.

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You can view and download photos from the 2018 Parnelli Awards
You can view and download photos from the 2018 Parnelli Awards

Parnelli Photos Available for Download

Stage Directions Staff

The 17th annual Parnelli Awards gala, held Friday, Jan. 26 at the Anaheim Hilton during NAMM 2018, brought together more than 600 of the live event production industry’s top achievers. During the event, there were several photographers on hand, and these photos are now available for download at https://parnelliawards.com/photo-gallery-2018-parnelli-awards/

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USITT to receive a $25,000 grant from the National Endowment for the Arts
USITT to receive a $25,000 grant from the National Endowment for the Arts

USITT to Receive $25,000 Grant from the National Endowment for the Arts

Michael Eddy

National Endowment for the Arts Chairman Jane Chu has approved more than $25 million in grants as part of the NEA’s first major funding announcement for fiscal year 2018. Included in this announcement is an Art Works grant of $25,000 to USITT for the 2019 United States Exhibition of the Prague Quadrennial.

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Mark Jonathan and Mick Hughes (L to R) Hughes won the inaugural TMA Award for Lighting Design in 2008 for The Children's Hour at The Royal Exchange Theatre Manchester
Mark Jonathan and Mick Hughes (L to R) Hughes won the inaugural TMA Award for Lighting Design in 2008 for The Children's Hour at The Royal Exchange Theatre Manchester

In Memoriam: Mick Hughes, Lighting Designer

Michael Eddy

The Association of Lighting Designers in the UK reported that lighting designer and ALD Fellow Mick Hughes passed away on January 5, 2018 at the age of 79. Much admired for his simple, clean, and effective approach to lighting design Hughes had a long list of credits across nearly 50 years of work in UK Theatre collaborating with many high-profile directors, designers, and venues including Harold Pinter, Sir Alan Ayckbourn, the National Theatre, Chichester Festival Theatre, and the Royal Court Theatre.

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The lighting for The Little Mermaid was designed by Luc Peumans. Photos: Frank Lambrechts - Picturesk
The lighting for The Little Mermaid was designed by Luc Peumans. Photos: Frank Lambrechts - Picturesk

Lighting Designer Luc Peumans Spotlights The Little Mermaid

Michael Eddy

Lighting for The Little Mermaid – the first time the show has been staged in Belgium – was designed by Luc Peumans of Genk-based international design practice, Painting with Light, and lighting equipment was delivered by leading Benelux rental company, Phlippo Showlights together with audio and rigging. As a part of his design, Peumans worked with the Robe RoboSpot system, which was teched by Ilse Witlox, also the lead operator, who is an expert in the somewhat ‘black art’ of followspotting. Precise followspotting was absolutely crucial to a complex and visually rich production like this. 

 

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Hana S. Kim receives the 2018 Richard E. Sherwood Award during the 28th Annual LA Stage Alliance Ovation Awards. Photo by Ryan Miller/Capture Imaging
Hana S. Kim receives the 2018 Richard E. Sherwood Award during the 28th Annual LA Stage Alliance Ovation Awards. Photo by Ryan Miller/Capture Imaging

Hana S. Kim Selected as 2018 Sherwood Award Recipient

Michael Eddy

Center Theatre Group recognizes and celebrates the recipient of the 2018 Richard E. Sherwood Award, Hana S. Kim, for her exceptional contribution to the Los Angeles theatre landscape and her work as a ground-breaking and adventurous artist. Kim's video reel below shows her stunning work.

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The edgy production of Amos with a lighting design by Brandon Baruch
The edgy production of Amos with a lighting design by Brandon Baruch

Lighting Designer Brandon Baruch Pushes Amos To The Edge

Michael Eddy

It seems altogether fitting that the much talked-about play Amos was performed in a former speakeasy. The jittery, unsettling drama delves deeply into a nefarious vortex of murder and deception set against the brooding backdrop of an underground EDM world in the Ukraine. Audiences are not sure who or what to believe as this troubling story unfolds, leaving them with a tingling sense of uncertainty and danger. Contributing to this uneasy mood is an eerily unsettling lighting design by Brandon Baruch.

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